Alma Tadema
Alma Tadema's Oil Paintings
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8 January 1836 – 25 June 1912. Most renowned painters.

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Willem van Aelst
Still Life with Dead Game

ID: 90796

Willem van Aelst Still Life with Dead Game
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Willem van Aelst Still Life with Dead Game


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Willem van Aelst

(May 16, 1627 - in or after 1683) was a Dutch artist who specialized in still-life painting with flowers or game. Van Aelst was born in Delft to a family of prominent city magistrates. He learned to paint from his uncle, the still-life painter Evert van Aelst. On 9 November 1643 he enrolled as a master of the Guild of Saint Luke at Delft. Between 1645 and 1649 he lived in France. In 1649 Van Aelst travelled to Florence, where he served as court painter to Ferdinando II de' Medici, grand duke of Tuscany. At this time, the grand duke also employed two fellow Dutchmen Matthias Withoos and Otto Marseus van Schrieck, the latter also a still-life painter who probably influenced Van Aelst's style. In 1656 he returned to the Netherlands to settle permanently in Amsterdam. He became one of the most prominent still-life painters of his generation, which allowed him to live on the Prinsengracht. He must have at Amsterdam died in 1683 or shortly thereafter, as his latest dated work is from that year. Van Aelst taught Rachel Ruysch and several others.   Related Paintings of Willem van Aelst :. | The Dwarf Francisco Lezcano, Called El Nino de Vallecas ar | Carmela Bertagna by John Singer Sargent, | Still-Life with a Box of Sweets and Bread Twists | The Rape of the Daughters of Leucippus | Cornelis de Tromp's former flagship the 'Gouden Leeuw' on the IJ in front of Amsterdam |
Related Artists:
Orchardson, Sir William Quiller
English, 1832-1910
Johann Wilhelm Preyer
painted A Still Life with Peaches and Grapes on a Marble Ledge in 1803-1889
Bernaert de Ryckere
Bernaert de Rijckere (c1535, Kortrijk - 1590, Antwerp), was a Flemish Renaissance painter. According to Karel van Mander he was born in Kortrijk and was admired there for an altarpiece depicting Christ bearing the cross, which he made for the St. Marten's church of the brothers of the Cross there. He later took on a different style that Karel van Mander had heard of but had not seen to be able to judge it for himself. He said he moved to Antwerp and joined the Guild of St. Luke there in 1561. According to the Netherlands Institute for Art History he was the teacher of his son, the painter Abraham de Rijcke, and is known for landscapes and historical allegories.






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